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Is Netflix chill

Netflix’s entry into Indian markets last week marks the global coming-of-age of Internet TV. But experts aren’t sure the country’s ready for large-scale Video-On-Demand

Netflix’s entry into Indian markets last week marks the global coming-of-age of Internet TV. But experts aren’t sure the country’s ready for large-scale Video-On-Demand

The simultaneous addition of 130 countries (including India) to the global footprint of the Netflix service last week was a landmark in the decade-long history of Internet TV. It marks a large-scale lurch away from the tune-in and consume-what-we-feed model of conventional cable or satellite television, to an on-demand era. “With the help of the Internet, we are putting power in consumers’ hands to watch whenever, wherever and on whatever device,” said Netflix CEO Reed Hastings, as he virtually ‘switched on’ the company’s expanded service during a CES keynote in Las Vegas. Netflix is available on any device that has an Internet connection — PCs, tablets, smartphones, Smart TVs and game consoles.

The world’s most movie-crazy nation could hardly ignore a development like this. Indeed, it was first off with an agile TV-industry response; elsewhere at the same CES mela Devita Saraf, the young CEO of the desi-talent-driven, US-based, home entertainment player Vu Technologies was unveiling a slate of HD and UHD smart TV sets with dedicated Netflix and YouTube buttons on the remote — and at some of the most disruptive price-tags in the business.

On-demand content is not exactly new in India. Some dozen agencies already offer India-centric TV or cinema content, either free or paid, with subscriptions which are among the lowest in the world. Their sharp nose for Indian tastes will ensure that they are not about to roll over and die, simply because a giant like Netflix has entered the competition. The opposite in fact: “Netflix’s entry to India is a big positive as it validates the potential of Video On Demand in our country,” says Abhayanand Singh, founder of Muvizz.com, “Customers will have a lot more choice in terms of the content.”

There are other, more earthy reasons why the Netflix model, far from wiping out the competition, will have to work to find a foothold. Gaurav Gandhi, COO, Viacom18 Digital Ventures, pin points the basic challenges, one of which is the cost: Netflix is charging between '500 and '800 for its three tiers of service here, two-four times costlier than domestic competition. Till it ties up with cable providers in India, the only way Netflix will find customers is via the customer’s own broadband. 4G is here but the vast majority of users haven’t got it yet and, in any case, broadband speeds in India are a cruel joke with customers rarely getting what they pay for.

Lastly, Gandhi points to the ‘Content Conundrum’ — Netflix has an impressive English content library which, in the Indian context, will be considered niche. Like McDonald’s and Dominos before them, they may learn the hard way what India is ready to pay for. But even niche can be good biz in a market as big as India.

Technology-wise, Video on Demand, unless bundled by your cable or dish provider, requires a hardware or software video player. A smart TV will also do the job. So will a USB dongle like Google’s ChromeCast or Indian equivalents like Lukup Media’s Lukup Player which plugs into your TV and offers a large library of movies and shows plus 500 GB of storage. Premium VoD services that offer Ultra HD (4K) content, don’t make sense unless you have a TV set of 36 inches or more.

But it looks like the real Internet TV revolution will take place with content of lower resolution on portable devices. This is why YouTube and Facebook, and the on-demand services of TV channels like Sony and Hotstar (of the Star network) or Airtel’s Wynk enable so much free content in manageably small chunks that work with smart phone Internet speeds of around 1 MBPS or less.

Indeed, the global leader in video for mobiles, VuClip, is fuelled by Indian innovation and boasts content in 20 languages, from 160 top studios.

So for now — swagatham, Netflix! May the best video-wallah service in the country win!

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